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So we put together a little speed counter so they never went beyond what they were supposed to be going, so the simulations were still viable.вЂќ вЂњOne of the typical things you find with previs is that things will typically go the wrong speed,вЂќ adds Scanline visual effects supervisor Danielle Plantec (who shared duties with Bryan Hirota), вЂњso when you get into the effects simulations that can be hard to maintain. We also implemented ScanlineвЂ™s pipeline into our own so we could seamlessly hand off our previs scene files to them to use for final visual effects.вЂќ Previs by The Third Floor. вЂњThis allowed us to give the director a very realistic idea of what the finished product would be. Previs: вЂњTeaming up with Scanline, we were able to integrate their advanced ocean simulations in our previs,вЂќ says The Third FloorвЂ™s previsualization supervisor Patrick Smith. To make them possible, the studio undertook a unique collaboration with The Third Floor for previs of the battles, and then embarked on creating different looks for each. Scanline, with its rich history of water simulation technology in Flowline, handled these battles. Much of Rise of an Empire takes place either on board Greek or Persian ships, and often when the vessels are crashing into each other. Sea battles: each one unique One of the battles created by Scanline.

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Several members of the visual effects, previs and stereo conversion teams including visual effects supervisors Richard Hollander and John вЂDJвЂ™ Desjardin, plus Scanline, MPC, Cinesite, The Third Floor, Halon and Gener8, discuss how these key shots were made possible. In this article, fxguide picks just some of Rise of an EmpireвЂ™s big moments to explore in detail. Synder returned as a producer for the follow-up directed by Noam Murro: 300: Rise of an Empire, where once again principal photography was captured mostly on greenscreen sound stages with significant visual effects artistry behind the filmвЂ™s final look. Just don't try to derive a history lesson from the movie.When Zack SnyderвЂ™s 300 was released in 2007 it brought with it the directorвЂ™s trademark aesthetic feel вЂ“ stylized battles, speed-ramps and high action were key elements. But in terms of sheer bloody spectacle, '300: Rise of an Empire' gets a lot of mileage out of sheer venal spectacle. Is there intelligent dialogue, or anything actually emotionally stirring? By my lights, no. Also, the color palette here is more expansive than in Snyder's original: in addition to dun, there's also a lot of blue, a dark gray, and lots and lots of crimson.

Every time a sword swipes a battling warrior, the screen fills up with a lake's worth of spurting blood, to the extent that you really start hoping that one of the film's character's suffers a paper cut, just to see what happens. The rest of the film's over-the-topness is pretty purposeful as well.

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The ruthlessness of Green's character is taken to extremes that meld Medea to the cheesiest serial you can name, and is hence delicious.

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'Rise of an Empire,' directed by Noam Munro (who also made ' Smart People,' which clearly established his 3D action movie bonafidesвЂ¦no waitвЂ¦) is entirely more engaging by dint of being absolutely impossible to take even a little bit seriously. I hated the Zack-Snyder-directed '300' with a passion: aside from its in-your-face hateful war-mongering sentiments and the aforementioned homophobia, the thing looked as if it had been shot through lenses that had been smeared with dog feces prior to each take. While the first '300,' based on a graphic novel by Frank Miller, was relentlessly male-driven in a way that was both relentlessly homoerotic and blithely homophobic, the introduction (no doubt historically inaccurate) of Green's character to the combat changes the sexual dynamic in a way that's pretty ridiculous and also kind of jaw-dropping. And this naval commander, an unusual one by anybody's standards, is both intrigued and vexed by the Athenian, who goes by the name Themistocles, and is played by a stalwart Sullivan Stapleton.

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They're coming by ship, and the navy is commanded by the golden boy's sister, Artemisia, played by the sexually intimidating Eva Green, who's going Full Diamanda Galas here, only without the singing. There's one Greek fellow, an Athenian, who believes in the 'experiment' called 'democracy,' and he wants the Spartans to back him up as the fey Persians, spurred by possibly homosexual golden (literally!) boy Xerxes, come to lay waste to his model city.

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